It is very common to hear people say that men and women are just ‘wired differently’ in terms of how their brains work. But how scientifically accurate is that? That’s the question that Gina Rippon tries to answer in this book, and in case you can’t guess – the answer is that it is not significantly backed up by science, despite popular belief.

People like to believe what they’ve been raised to believe, and for years the popular consensus has been that brains work differently – but that’s just born out of the patriarchy. The majority of media outlets then want to reinforce these older ideas, so will latch onto and report on any study that seems to confirm this worldview. The author looks at the studies that are most commonly pointed to as evidence of this difference, and highlights how they’ve either had severe issues with their methodology, or have had their findings enormously exaggerated or distorted to make clickable headlines.

Though it is undeniable that, as a whole, you can see certain behaviours more or less commonly found among men or women, but Rippon argues that these can be attributed to socialisation and the ‘plasticity’ of the human brain. I learned from this book that if we believe that we are supposed to be a certain way, our brain can and will change to become that way – a side effect of us being such a social species. She goes on to highlight how extremely widespread the social influences that reinforce gender roles are and how babies are effected by things we may not even realise. Their sponge-like brains absorb absolutely everything they see and this all plays a part in moulding the people they become. Sadly, the reinforcement of gender roles is so prevalent, that they will never not be exposed to it.

I’ve always felt that the idea that men and women’s brains are inherently different was a silly one. All of my experiences of relationships with men and women, to me, highlight that these differences do not really exist and I would argue that those who think they do probably don’t have close bonds with many people of both sexes. I also think that if it were as simple as that, there would be no examples of people defying traditional gender roles. With this in mind, I was always going to find this book agreeable, and as I am not a neurologist, it is essentially impossible for me to identify any inaccuracies in the way things are presented here. Having said that, it all seems very logical, fair and well argued. It’s a book that’s well worth reading for anyone with an interest in feminism or the way that the human mind works.

Rating: 8.1/10

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This is often described as being the first “lesbian novel” and while you could certainly question whether that’s true (and even what it means for something to be a “lesbian novel”) I think it’s probably true that this is the earliest novel that unambiguously shows same sex attraction between two women in an ordinary real world setting.

Although, to be fair, through a modern eye, you could question whether the story is really about a woman at all. The main character, named Stephen by her father who hoped for a boy, goes through their life wishing that they had been born a boy, and describes themselves as existing in the “no man’s land between the sexes” while dressing in traditionally masculine outfits. Though it is unlikely (though not impossible) to have been intended by the author, it’s very easy to read Stephen as somebody who would identify as trans or non-binary.

Nonetheless, interesting gender angle aside, the story of a gay character growing up in a world that is almost completely ignorant of the existence of gay people is both fascinating and heart-breaking. Stephen is a perpetual outcast, and one who is kind of awkward, but I found myself feeling quite strongly endeared to her, and felt for her even at the times when she made decisions that I didn’t think were so great.

This is one of those novels that spans years, starting when Stephen is just a baby, and continuing on into adulthood. There’s a great sense of scale that helped it feel very real. We later see her living in London, working as a nurse during the First World War, and living in Paris too. Though I wish that the war got a little more focus (that portion seems a bit too short), this is exactly the kind of structure I like for a novel. I always appreciate the opportunity to get a deeper look at the trajectory of a character’s whole life.

From difficult covert romances, to problems with an abusive parent, and a general feeling of isolation and “otherness”, Stephen’s story is often a very sad one. I really appreciate the way that the author tackled these problems – but, I didn’t quite like how it all came to an end. It was a bit melodramatic in a way that it didn’t need to be and I felt like the character deserved (and could have had) a better ending. Nonetheless, my overall impression is a very positive, and I admire this book for telling a very engaging, human story that was ahead of its time.

Rating: 8.5/10

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This autobiographical graphic novel describes the author’s life from childhood through to young adulthood and goes into detail about the journey e’s had in discovering eir gender identity and sexual orientation. Honestly, it’s one of the best and most beautiful books I’ve read in a while.

What I think is most appealing about this book, is Maia’s complete openness. To me, reading this feels like you’re having a heart-to-heart conversation with an old friend. Of course, I also love the fact that e’s sharing non-binary and asexual experiences too. So often, asexuals are shown to be cold emotionless Sherlock Holmes-type characters (not that I don’t love Sherlock Holmes) and often we’re only given a really surface level look at non-binary existence too. It’s so important for people to read about the experiences of ordinary people from these demographics, I’m glad this book offers an opportunity for people to learn.

Of course, it’s not all about gender and sexuality (though that is at the heart) and a big part of what I enjoyed about this book was Maia writing about fun times with eir friends. You don’t really find many books where authors write about being huge fans of different books, music, and TV show (or, I don’t, at least) and what I loved about this was how relatable it was. I particularly enjoyed Maia’s focus on books and reading – I guess as a hugely bookish person, I’ll always enjoy seeing that.

All things considered, when I was reading through this book, if something didn’t remind me of my own experiences, it reminded me of the experiences of those who are close to me. I think that it could be an incredibly valuable piece of work if it finds its way into the hands of young non-binary or asexual teenagers who are looking for a framework to understand themselves. The fact that its filled with hugely endearing illustrations just makes it even better. It’s sad that this is a book that’s so consistently banned (partly due to a few sexually explicit scenes), but most teenagers will have seen worse online anyway, and it’s really important that voices like this are not stifled, and that young people have access to books that document the experiences of those who are finding their sexuality for the first time.

Rating: 9.8/10

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I noticed quite a change in the second batch of twenty-five Archie comics compared to the first, and it follows a trend that I’d started to notice in what I’d already read. Here the comics start to become a lot more serious and delve more into the history and lore of Mobius – and while that is typically something that I love, it didn’t always hit the mark here.

One thing I really enjoyed was the history of Angel Island – the comics explain a lot about the highly advanced echidna civilization and how and why the created a floating island. One thing I didn’t enjoy so much was the information it provided on Sally Acorn’s father and the history of Mobius’s politics and royal family. Robotnik’s role in it all is kind of interesting, and I did appreciated it as an atypical interpretation of the character, but it wouldn’t be my preferred backstory for him.

I think part of the problem is that with the story’s that delve into the history, there’s very little humour involved, and I think that’s an important part of the Sonic recipe. While I enjoyed learning about the ususual lore of these comics (and still look forward to more), I was kind of bored sometimes because of how seriously it took itself. That’s not to say I don’t like a darker storyline (I love when in one of the story arcs, Sonic has to go on the run after being found guilty of murder), but when it’s not seriousness combined with high stakes drama, that’s when I find myself feeling less captivated…

The backstory is kind of convoluted too, and it doesn’t help that very often there are little cliff-hangers that are not resolved in the next issue of the Sonic comic, but in Tails, Knuckles, or Princess Sally mini series. Though I was still able to understand everything that happened without reading this additional comics, it did mean that there were gaps in my knowledge, and a few cliffhangers that didn’t have a clear resolution though. You’ve got to commit to reading (and finding) a lot of other comics to really get the full story.

Despite things getting more convoluted, I still quite enjoyed these comics . I like Sonic and his friends as Freedom Fighters coming up against Robotnik as an overlord and there are some really cool conflicts here. While the first twenty-five issues typically all had Sonic as the main character of every story, Knuckles, Sally, and even Sonic’s Uncle Chuck all get a lot more time in the spotlight here, meaning they get a nice bit of development, and the stories are more varied. There was less focus on parallel universes though, which was a shame.

I think a lot of dedicated fans of the games will enjoy these comics, but it is important to keep in mind that it’s very different to the current understanding of Sonic and his world. While there are definitely bits I didn’t like (e.g. Geoffrey St. John), I did generally enjoy it, and the last few in particular told a cool interconnected story which lead to what felt like a solid ending for the series as a whole – I look forward to seeing what happens next.

Rating: 7.4/10

The fifth Discworld novel brings things back to Rincewind (the star of the first two books) after changing focus in Equal Rites and Mort. Nonetheless, while there are very vague allusions to his previous adventures, it’s essentially a standalone novel that could be enjoyed without having read any of the others. Having said that, I wouldn’t recommend it as a first Discworld novel, because it’s been my least favourite so far.

It being my least favourite doesn’t mean it’s bad though. In fact, I’d say that the opening of the novel, where Death comes to collect an old wizard, is one of the most beautifully written things that I’ve ever read. If the entire book had been like this, it’d have been a contender for being a 10/10 book for me. Unfortunately, the rest of the book, was much less enticing.

The story is about the eighth son of an eighth son of an eighth son, who grows up to become a “Sourcerer” which means that he is someone who is a source of magic in the world. This character, named Coin, of course has the power go to his head, which prompts him to take over Discworld’s Unseen University for wizards and attempt to introduce a new magic order.

Rincewind, meanwhile, running away from all this, finds himself once again in the position of an unlikely hero after being swept up in an adventure by a woman named Conina. Ultimately, of course, they end up opposing Coin – and along the way there are a lot of laughs, and a lot of fun over the top actions sequences. I was decently entertained throughout, but I felt it lacked anything really profound and didn’t really have anything meaningful to say in the same way that Mort, Equal Rites, and even The Light Fantastic did.

The ending was pretty cool though, and quite a bit more serious than I was expecting it to be (which was a refreshing surprise). I just can’t say anything about it without spoiling it – but I will say that I liked getting more of an insight into the history of Discworld. The rest just mostly felt like fairly light entertainment – not bad, or boring, by any means at all, it’s a good book, I’ve just read a lot of better ones.

Rating: 6.9/10

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This book contains a selection of anonymous nude paintings of several women, non-binary people, and trans men. Alongside every painting, each model has written a short piece of writing about their relationship with their body – and you know what? I think this is one of the coolest ideas I’ve seen for a book in a long time. I absolutely love it.

If you’ve just read that description and find yourself thinking, well, what’s the point of that? The intention behind it was to help strive towards a broader notion of body neutrality. So often in our society, we’re encouraged to see nudity as inherently sexual, even though nakedness is the natural state of all our bodies – this then feeds into body image troubles and issues with self-confidence.

The pieces of writing that accompany each painting confirm this too – some are very positive, while others are really sad. However, one thing that they all have in common is that the models all experienced some kind of shame of self-consciousness about their body. I hope that those who struggle with these things will be able to take some solace from the fact that they seem to be universal among people of every different body type – if they aren’t currently dealing with it, it’s something that they have overcome in the past.

Aside from the statements alongside each one, I also really admire. The portraits are really, really good. I studied them closely for inspiration in my own art, and I have to say that the artist did a really good job of capturing the fact that every body really is a beautiful piece of art.

Of all the projects of this kind that I’ve seen, this is my personal favourite. It truly is a celebration of the human body and perfectly underlines the fact that we come in all shapes and sizes and no matter how someone looks, they have no reason to be ashamed of their body.

Rating: 9.5/10

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This the novel that helped get cosy fantasy on the map as a genre, and I love it. I have always been a big fan of fantasy fiction, but I have never read anything quite like this. I looked forward to a new chapter at the end of each day, where I enjoyed it as just as much as the characters in the novel might enjoy one of the “Thimblets” sold in the titular café (which I could practically taste).

That’s what the whole story is about. The main character is an orc woman named Viv who decides that she’s tired of being a hardened adventurer and wants to try a new line of work – so she opens a café. Viv is an interesting character who’s quite unlike anything I’ve ever really seen before (and not just in the sense of being a female orc). At first, she might come across as just the typical strong and powerful character who doesn’t have a lot to say, but you start to realise that that’s just how she ended up as an adventurer, and you get to see she’s got a big heart with room for lots of friends. She’s very endearing.

The book’s blurb describes it as low-stakes, and that’s quite true (for the most part). Most of the story sees Viv growing her business, making new friends, and finding new ways to expand her business. It might sound pretty bland, but it’s actually really satisfying to see the café grow, improve, and attract more customers. The fact that it’s in a fantasy setting seems to add to the overall feeling of cosiness, and as it goes on, a little community of characters grows around Viv.

My favourite, aside from Viv herself, was Tandri, a succubus who Viv hires to work for her. She has a similar character arc to Viv, but the difference is that rather than just being a quiet person who keeps to herself, she’s more of a snarky, standoffish sort of person, who learns to become friendlier and more emotionally vulnerable. The relationship that grows between her and Viv was one that I was very invested in.

Towards the end, it became much more intense than I was expecting for a self-proclaimed low stakes book, but I don’t think it was at odds with its overall wholesome feel. It probably feels even more intense specifically because the earlier bits are a little more rooted in everyday things (or, everyday things in a fantasy world) which all just helps make the book more impactful.

For me, fantasy is at its best when there’s at least a decent amount of whimsy involved, and that’s certainly the case in Legends & Lattes. If you’re somebody who reads before bed to de-stress, this book will serve that purpose wonderfully – and considering that fantasy in general seems to be going down an edgier path full of sex and violence, this novel is pleasantly refreshing.

Rating: 8.8/10

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This is the eighth Wheel of Time novel, and by this point it really feels like the series is just resting on its laurels, because barely anything happens. It’s just Rand musing about the responsibility he carries on his shoulders while being insufferable, Perrin and Faile having a rubbish and toxic relationship, every woman wanting to sleep with Rand while judging other women for dressing in revealing clothes, and that’s about it.

I’m being kind of flippant here – ultimately I enjoyed this book and that’s because I’m invested in its world, and its characters, but if it weren’t for that and this was just a standalone piece of fantasy fiction, I’d find it very boring. It really felt like such tiny amounts of progress were made in the overall story, that it kind of felt like, what’s the point? Right at the end, there was a pretty major development, but with the way that some characters aren’t in certain books, I’d not be surprised if it’s not addressed in the next one anyway.

It’s a shame, because I remember reading the first book and feeling a truly enchanting sense of adventure as the characters set out across the world. At this point it feels like they’ve all already been everywhere so there’s much less curiosity about what might happen and what they might encounter, and nothing new happens to keep it interesting.

Long-running TV shows sometimes have filler episodes as they build up to larger, more important events. This felt like a filler book and that makes for pretty dull reading. It wasn’t outrageously bad and reading it was not a negative experience, but I desperately hope that something a bit more interesting happens next time.

Rating: 5/10

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Everyone knows the story of Jekyll and Hyde – it’s easily one of the most well-known stories ever written, to the extent that it transcends the medium of literature and is literally something that gets used in day-to-day speech. How often, for example, have you heard something described as a “Jekyll and Hyde situation” where somebody is very nice one minute, and very nasty the next? Probably loads of times. I want to read practically everything, but a novel as influential as this? Of course I was excited to see what it was like.

The only problem is that because it’s so well known, a lot of the fun is taken out of it. Most of the story is built around a mystery. What’s the connection between Dr Jekyll and Mr Hyde? How does Hyde have so much sway over Jekyll? These days we all know they’re the same person, so the ultimate twist at the end is much less impactful. I can imagine that it was an absolutely incredible ending back in the day, but it’s a shame that the novel is essentially universally spoiled – especially as it’s very short and all built around this one mystery.

Nonetheless, I don’t mean to suggest that there is no point in reading this. It’s still an enjoyable ride that is beautifully written. The novel’s narrator, Gabriel Utterson, has that kind of deeply affectionate friendship with Dr. Jekyll that I love to see in nineteenth century literature. I could also totally read Jekyll as gay, because when talking about his repressed desires, he mentions things he finds too shocking to mention – and considering the violent things he does mention, and the extremely uptight Victorian mindset, I think that would work quite well. That then also explains his self-loathing and desperate attempts to change himself. I thought this was a much more overt than any other allegedly gay character in nineteenth century literature that I’ve come across, so found that quite an appealing aspect.

If you love gothic novels, this is definitely one you’ll want to read. If it were longer, it’d potentially outstay its welcome when it can no longer depend on mystery and intrigue to keep people interested. Nonetheless, this is a novel with great characters and a delightful atmosphere, and it’s central premise, of their being a dark side to even the nicest people, is an endlessly interesting one.

Rating: 8.3/10

Buy it here.